Abstract
In a society which strives every day to change the course of its
destiny, it is not by chance that the battle for this change has been conducted
in many different directions. The need to achieve a kind of stability with itself
and why not with others as well has resulted in numerous factors to approach
this social reflection. From this perspective, "the new man of modern
era" of the post '90s comes inspired and eager for some sort of
transformation, a transformation which many times has affected the deep wounds
that were left open in his body and soul. Looking deep
within these deep contrasts, even literature has had its ups and downs. This is not
because it got tired of seeking these gestations, but the society itself made
them available to literature, making the latter its mirror of confession. Various topics,
perhaps unknown until that time, dunked the pencil of writers, thus becoming a
solidarity part of the Albanian soul, Albanian post traumatic distress which
the transition tried to heal.At that time, writers copied models, imitated the
great people of modern world, brought myths back to life, searched in the
history and found what was needed, the yearning to express the freedom of this
endless transition. This paper will attempt to list works and authors, whose themes go
beyond the idealistic limits and appear to become deeper and more touchable in
time and space, and where perhaps there is a greater need for the latter.
Key words: Transition, socialization, need to be expressed, literature, approach.
Preface
Fresh off the hard way of knowing the world, the
Albanian society faced many occurrence of phenomena that to be a kind of
introduction to the present complexity, features and its uniformity. Society of
every age, limited in time and space, creates its ways of life, norms and
customs, tastes and ideals, judgments and attitudes, then a conception of
certain world, which manifests through products and where somehow people become
victims of what they themselves produce. Aspakte influenced by any kind of
ideological, utopian, political, technological, etc., comes a moment when we
are this product uses its tyranny over society that has conceived. People
inflated question and doubt everything, begin efforts to escape from this
tyranny, when the latter reaches its culmination point. Unquestionably, the
truth is that this can not last forever, because this society knows very well
that it can not remain without producing and even as much as a new product is a
new tyranny.
Confessions and history,
society and the need for identity
Albanian history has passed through various
stages that are associated with their ups and downs and in many cases their
treatment has caused quite a debate in literary circles, and not just academic.
Thus, the first novel of good arguments "Living on the island", with
thousands of copies sold was a provocative act that stirred controversy. They
extended debates in the historic plane on arrival in Albania Islam as invasion
or as a voluntary admission? The subject of the book is based on over Albania
medieval and historical facts with fiction associated neatly. Heroes of good
arguments, as well as real people of Albanian society, tend to seek fortune in
a chaotic world and transitory. "Sometimes luck ask where he is and forget
that it has the shape of things to know. The request in the woods, but he is in
coal, seeking to heaven, he is in the land and seek the way it is at home, we
seek to another but it hides us. We think that luck is an unknown thing but
actually it hides the things known. People easily confuse luck with the case.
"(Blushi, 2008: 252). Blushi makes us think that the world is like a small
island where to spend should learn to swim and remained there should forget
swimming. It is home to fish and fishing for a living. On this island the fate
of man wanders the soul inside a suitcase. By evaluating the book, Nikos
Papandreou states that "... good arguments book serves as a window to see
how the neighbors see, others, even many aspects of Greek and Balkan
history" and Rea Gallanaqi writer with affirmed The literature today's
Greek to mean that "scans social register giving a major role in the cycle
of life from birth to death on the one hand, but on the other being provided
also major role endless cycles, we vast and fertile mixture of history and
personal microhistory".
In the book "Albania", not in vain as
the main character chooses Blushi Lek Dukagjin to restore order to the world
that God created. (Analogy with the rule through the Canon). He sought to
create a utopian world without constraints in fact the current world, through
100 children. Why 100?! Set on an island whose details Blushi could not leave,
among them are all characters that albanian society recognizes Enver (Hoxha)
Mehmet (Shehu), DP etc all to see from a different perspective. Built as idealistic
utopian world, the fictional world of good arguments and questions put at risk
existence of a love which is just this that destroys and makes its inhabitants
wander in a huge exodus endlessly painful. The metaphor is inevitably linked to
the history of Albania, and its characters, ages, turns, wounds of paradoxes.
Mustafaj would come to the literature of the
early 90s as a separate item with different novels as Vera no return, Bosch
etc. that says Prof. Joseph Papagjoni as "... we had a nice knock at the
door lever of burduvele castle - Rusty Albanian literature that is open to new
paradigms in late western literary". (Papagjoni, 2010: 6). During the
reading, the novel leaves in limbo, stuck inside watertight forms, hidden
meanings, closed, undeclared secrets, even the end of it. Human courage in this
novel knows the trumpet, rage, despair, the rebels will disclose later perhaps
the man who hates. It will bring a generation disillusioned utopia beyond
rhetoric and misleading that disgusted after false myths. According Besnik
Mustafaj, not man had we lost, the man died, he had us boggling, but someone
else beyond him and within us: time scary, and in the case of this book,
monsters dictatorship with all the ugliness, fear,
especially with alienation that humans create. The shadow that follows after
us, our shadow of anxiety and fear has become the flagship of that trade they
fear, violence, oppression and our death. We never know the shot comes, then
death. "I do not have the end of the trip after perceives that will
striptease of wonder and shame and anger, and suspicion and curiosity, and
willingness, and fear.
More in: Revista Haemus
More in: Revista Haemus
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1. Josif Papagjoni, citing the work of the
"Milosao" June 2010.fq 6.
* Doktorant në
shkenca komunikimi pranë UET, Lektor në Fakultetin e Shkencave Sociale,
Departamenti i Komunikimit, Universiteti Europian i Tiranës. Lektor në
Fakultetin e Edukimit, Departamenti i gjuhë letërsisë, Universiteti
"Aleksandër Moisiu" Durrës.